The Drowsy Chaperone - Review
The Tony Award-winning Broadway Musical The Drowsy Chaperone is playing at the Providence Performing Arts Center this week, and it is a must see. Dubbed “A Comedy Within A Musical,” this hilarious play was born as a 40-minute series of songs and scenes called “The Wedding Gift,” performed in honor of Bob Martin and his fiancé Janet Van de Graaff, otherwise known as the t
wo main characters of the show.
The story goes like this: A modern day musical theater addict known simply as “Man in Chair” chases his blues away by dropping the needle on his favorite LP - the 1928 musical comedy The Drowsy Chaperone. From the crackle of his hi-fi, the musical magically bursts to life on stage, telling the tale of a pampered Broadway starlet who wants to give up show business to get married, her producer who sets out to sabotage the nuptials, her chaperone, the debonair groom, the dizzy chorine, the Latin lover, and a pair of gangsters who double as pastry chefs.
The musical is filled with self-aware corny jokes as well as parodies of offensive stereotypes such as the overconfident Latin lover with no brain as portrayed by Aldolpho, played by James Moye, and a hilarious scene mocking The King and I and the fascination Americans have for Asians: “Message from a Nightingale.” Other comical characters include Mrs. Tottendale, the hostess played by original Broadway cast member Georgia Engel, and the impeccably synchronized Italian gangsters posing as pastry chefs, played by twins Paul and Peter Riopelle.
Nancy Opel is fit to impress as the drunken and cynical Drowsy Chaperone. Her performance is almost at par with Beth Leavel’s Tony-Award winning original portrayal of the eponymous character. Lead actress and bride Andrea Chamberlain is worth seeing if only for her performance of “Show Off” and “Bride’s Lament.”
The choreographies are spectacular, especially in songs “Toledo Surprise” and “Cold Feets,” which showcases a flawless tap dancing routine by Mark Ledbetter and Richard Vida, who play the bridegroom and the best man.
The PPAC stage is a perfectly deserving host for the troupe, whose stage and props are quite impressive and ingenious, given that the whole play unfolds in Man in Chair’s living room.
The only downfall of seeing the show on tour as opposed to Broadway is the lack of a complete orchestra. The company travels with conductor Robert Billig, a percussion set and two keyboards. The rest is left to recordings.
That said, The Drowsy Chaperone closed its doors on Broadway last December, so this may be your last chance to see the show. If you are not usually a fan of musicals, this show might change your mind. It runs for 1 hour 45 minutes without an intermission, and will keep you laughing all night, way past the last curtain call. So bring a date, go solo or take the whole family; there’s fun there for everyone.
Performance times for The Drowsy Chaperone, playing May 6-11, 2008, are as follows:
Tuesday at 7pm, Wednesday and Thursday at 7.30pm, Friday at 8pm, Saturday at 2pm and 8pm, and Sunday at 1pm and 6.30pm. Ticket prices range from $41 to $68, depending on the night and seating arrangement. Tickets for all shows can be purchased at the PPAC Box Office window, online at ppacri.org, or by calling (401)-421-ARTS.
Get your tickets now to experience the 1920s like never before, “iced water*” in hand.
Love from your avid theater-going team,
- Mirage and Nicky G
*”iced water” is the term used in the show to mean pure vodka… courtesy of the Prohibition, of course.










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